Hello my lovelies,
looks like the UK is getting the best of the sun, while over here in Florida it’s a bit touch and go (as I write, it’s pouring down with rain and the thunder is rumbling!) but still, it’s been a great holiday so far and it’s not over yet. Along with visits to the Disney Parks, Cocoa Beach, and Planet Hollywood, I’ve had the opportunity to sit by the pool and read a proof copy of Three Little Lies by Laura Marshall and it’s brilliant 🙂 and I’m currently knee-deep in One Summer in Italy by Sue Moorcroft, which is transporting me to the Umbrian sunshine 🙂
But on to writing… In my last post, I talked about the rewrite I do after finishing the ‘dirty draft.’ Following a question I’ve had about timescales, I’m happy to share that the first tetchy draft of my book can take anywhere from 2 to 20 months, depending on what else I have going on in my life – I have a full-time day job in HR, kids, boyfriend, housework, social media for previous books etc. – and whether I’m producing a 14,000 word novella or a 100,000 word novel. The first rewrite, which as I explained in writing tip #11 is completed in roughly four stages, can take around 1 to 3 months depending on how many hours I can put in (some weeks I can manage 8-10 hours around everything else, but other weeks only 1-2 hours) and how radical a rewrite I need to do. But once that rewrite is done, I put the book aside again for another few weeks, and come back to it with fresh eyes…
Because before I send it off to my lovely editor, I do my ‘first revisions.’ I think these are really powerful, because they add extra texture and colour to your story. It’s not about padding it out or adding lots of extra words – I might only add an extra 2000 words overall (and as I go along, I might also be cutting out anything I think is unnecessary) – these first revisions are about making your characters three-dimensional and the world they live in as real as possible.
Basically, this stage is pretty quick, and involves me reading the book a chapter at a time and adding in descriptions, enhancing dialogue tags or using actions to drive dialogue, and inserting narrative using the five senses. I do this wherever I feel that the writing is flat or there is too much dialogue without explanation, because I want every reader to feel that they’re either seeing through the eyes of the main character, or are at least in the same room as them. So I look out for these sections and add in:-
- Description – scenery, buildings, weather, what people are wearing etc.
- Dialogue tags – ‘He barked’ ‘She scowled,’ etc. But don’t go overboard with these!
- Actions driving/supporting dialogue – ‘I can’t live with your mum anymore, she hates me!’ He slammed the cupboard door shut and kicked the bin across the kitchen with a trainered foot, where it hit the wall with a thud and spewed its contents all over the floor.
- Use of the five senses – what can the main character touch, taste, hear, see and smell? I.e. the satin of the dress slithered through her fingers as she smoothed her hands over her hips; the sweetness of the ripe strawberries rolled over her tongue; a clap of thunder boomed in the distance, making her jump; the sunset was a beautiful blend of colours – red, orange, yellow – reminding her of a favourite cocktail, tequila sunrise; the scent of lavender carried towards her on the breeze, floral and sweet.
I have to admit I really enjoy these revisions, as I feel like I’m making my baby beautiful 🙂 However, I still can’t get too wedded to anything, because there’s always a danger my editor will send me a kind but firm email pointing out all the different ways I can make my book even better. So at this point, I stop revising and send the draft manuscript off to Charlotte at HarperCollins towers, and sit with crossed fingers to wait and see what she says. In the meantime, while I wait for feedback and any requested edits, I either (a) read a lot to take my mind off the waiting, or (b) start an outline for a new book. If you don’t have an editor yet, or an agent, this might be the time when you send the draft off to a critiquing service, or a set of readers, or a mentor. Which leads on to the subject of my next post – getting a second opinion 🙂
In the meantime, I hope you enjoyed this post, and if you have any thoughts or questions, please comment below.
Until next time, happy reading & writing,
Love, Nikki x